

A Message from the President
On behalf of The State Opera of New Jersey (formerly Boheme Opera NJ), it is my pleasure to welcome you, in this our 37th season, to a live production of Johann Strauss II’s operetta Die Fledermaus, here at Kendall Main Stage Theater on the campus
of The College of New Jersey. The Company decided to rename and rebrand itself to truly reflect the impact and reach
The State Opera of New Jersey has across the State. Throughout its history under the name of Boheme Opera NJ, the Company has enriched the lives of thousands, introduced a remarkable art form to diverse audiences and assisted careers that are
thriving in the opera world today. As The State Opera of New Jersey, we are committed to continuing this legacy.
The Company continues to create opera stage experiences for middle and high school students. Our winter performance
of Seasons of Love was both a critical and artistic success. We are delighted to continue bringing performances throughout Mercer County, New Jersey, and beyond.
We Thank our Sponsors, Patrons, Advertisers, and Volunteers who helped bring this season to the main stage, having contributed to our upcoming performances of Die Fledermaus. The State Opera of New Jersey extends appreciation to the Mercer County Culture & Heritage Commission, Genesis AEC, The Presser Foundation, NJM Insurance Group, Northwest Criterion Asset Management, our Chairman Michael Donahue, Trustee Michael Camp for their generous support, and graciously welcome new board member Fredrick Redd.
Jerry Kalstein, President
36 Seasons on the Main Stage
TSONJ extends gratitude to our 37th Season Sponsors,
Contributors, and Lead Sponsors.
Lead Sponsors
GENESIS AEC
THE PRESSER FOUNDATION
Spotlight Sponsors
Anonymous
Michael G. Donahue III, Esq.
Michael Camp
Libby Goldschmidt
Joseph & Sandra Pucciatti
Theater Sponsors
NJM Insurance Group
Northwest Criterion Asset Management
Michael & Kasi Class
Ensemble Sponsors
George & Diane Goeke
The Loose Family
Elizabeth Proctor
Susan Tepping
Patron Sponsors
Donald Leibowitz & Karen Brodsky,
Donor-Advised Fund Through
The Jewish Community Foundation
Jerrold & Joyce Kalstein
Dominick & Marianne Mazzagetti
Elizabeth Thorndike
Bravi Underwriters & Contributors
Judith Brodsky
Klara Brodsky
Carol Bucca
Susan Burns
JoAnn Coccia
Ron DeCicco
Tamara Gallant
Susan Gleeksman
Teresa Nakra
Christopher & Kate Nelson
Network for Good – Anonymous
Joselina Peralto – Stactix Consulting
Linda Prospero
Dr. Gilda Rorro Baldassari
Shared Success Center – Fox & Roach LLP
Joshua Spiegel & Valerie H. Kitay - National Philanthropic Fund
Charlene & Mark Thellmann
Delia Vayansky
Patricia Virga
Robin Wallack
Edward Yarwood
Dania Yaskanin & Robert Brynildsen
Dr. Michael Wong
2026 Gala Paddle Raise Contributors
Mercer County Executive Dan Benson
Robert & Rebecca Callahan
Stanley & Regina Corngold
Sid Morginstin & Helene Reiss
Simon Rosof
Peishan Ang
Nita Belliappa
Joanne Diez
Jeff & Eve Edwards
Hannah Goldschmidt
Christina Ho
Kim Elaine Neighbor
Lindsay Petropoulos
Joseph Rutkowski
Sally Ton
Rachel Zangrando
Matching Gift Contributors
Bank of America
Bristol-Myers Squibb
Fox & Roach Realtors
This program is made possible, in part, by the Mercer County Cultural and Heritage
Commission through funding from the Mercer County Board of Commissioners, and the
New Jersey State Council on the Arts, a Partner Agency of the National Endowment for the Arts.
The State Opera of New Jersey is a proud member of ArtPride New Jersey
Burlington Mercer Regional Chamber of Commerce and
Princeton Mercer Regional Chamber of Commerce.
37 th Anniversary Season
The State Opera of New Jersey Artistic Staff
Die Fledermaus
Joseph Pucciatti | Producer & Conductor
Alison Bolshoi | Assistant Artistic Director & Stage Director
Delia Vayansky | Production Manager
Milan Eldridge | Stage Manager
J. Matthew Root | Virtual Set Artist & Designer
Matthew Lewandowski | Lighting Designer
Anthony Wurtz | Costume Designer
Patricia DelSordo | Wig/Hair/Makeup Designer
Micah Goldschmidt | Assistant to Wig/Hair/Makeup Designer
Jason Milstein | Technical and Sound Designer
Hannah Goldschmidt | Props Coordinator
Jeff Cantor | Associate Production Manager/Carpenter
Dr. Xiyu Deng | Principal Rehearsal Pianist
Johannes Lang, Lang Audio, LLC | Main Stage Videographer
Christopher Gilman, Brande | Media Communications, Social Media Videographer
Tim Sexton | Archive Photographer
The State Opera of New Jersey
Board of Directors
Michael G. Donahue III, Esq. | Chair
Jerrold C. Kalstein | President
Sid Morginstin | Recording Secretary
Michael Camp | Trustee
Farrah Chu, Esq. | Trustee
Stuart B. Dember, Esq. | Trustee
Elisabeta Dinca | Trustee
Norman Goldschmidt | Trustee
Fredrick Redd | Trustee
The State Opera of New Jersey Administrative Staff
Sandra M. Pucciatti | Managing Director
DANNI Marketing Studio | Marketing, Digital Branding, & Web Development
Jerrold C. Kalstein | Audience Outreach Programming
Carol Bucca | Box Office Manager
Printworx | Printing Liaison
Patricia Stanley | Bookkeeper
Main Stage Performance
Die Fledermaus & Johann Strauss II
Die Fledermaus is the best-known stage work by Johann Strauss II (the Younger), with
libretto by Karl Haffner and Richard Genée, that premiered in Vienna on April 5, 1874.
Strauss the Younger’s fame rested mainly on his ballroom dance pieces.
Die Fledermaus was his third operetta for Vienna’s Theatre an der Wien.
The piece was based on a popular French vaudeville comedy, its action tidied up for the supposedly more-elevated tastes of Viennese audiences. At its premiere, critics found it scandalous, in part because its story of a practical joke spinning out of control seemed
ill-suited for performance on what happened to be Easter Sunday. Audiences, however, immediately loved it.
Noting the success of French composer Jacques Offenbach’s frothy opera bouffes in Vienna,
Strauss created his own graceful, distinctly Viennese Style of operetta. His charming stage works brought him
much wealth and international fame and would even help mold the form and style of the American stage and screen musical.
Johann Strauss the Younger (1825-1899) was an Austrian composer known as “The Waltz King,” who defined 19th-century Viennese light music with over 500 compositions, including 150 waltzes, as well as polkas, quadrilles, and operettas.
Despite his father’s prohibition, he became a famous violinist and conductor, surpassing his father’s fame with hits like
“The Blue Danube”. Early in his life, he was forbidden from pursuing music by his father, who wanted him to be a banker.
His mother, Maria Anna Streim, supported his musical ambitions, paying for secret violin lessons. After his father left the family in 1842, Strauss II dedicated himself to music, forming his own orchestra at age 19,
eventually rivaling and surpassing his father’s popularity.
The Strauss family was filled with musical rivalry. Besides the father Johann I, brothers of Johann the Younger, Josef and Eduard, also became composers. Johann the Younger was married three times: to singer Henrietta “Jetty” Treffz (1862-1878), actress
Angelika Dittrich (1878-1882) and Adele Deutsch (1887-1899). To marry his third wife, Adele, he renounced his Austrian citizenship and became a Protestant, as his divorce from his second wife was not recognized by the Catholic Church.
Musically, Die Fledermaus is thoroughly high-spirited, with numerous dance themes, most notably waltz themes.
Leading lady Rosalinda is given a faux-Hungarian Countess Aria; the maid Adele has her own aria aptly called the “Laughing Song.” The entire work has only one quiet scene: a chorus in praise of brotherhood and love. Young Prince Orlofsky is played by a
mezzo-soprano in masculine garb, as would have been the case in the time of Mozart.
In all, Die Fledermaus continues to be an audience pleaser up to current day.
Synopsis: Die Fledermaus
ACT 1
Eisenstein’s maid, Adele, receives a letter from her sister Sally, a ballerina, suggesting that she attend a party to be given that night by
the rich young Russian Prince Orlofsky. Adele’s successful plea to her mistress for time off is interrupted by the serenade and
entrance of Rosalinde Eisenstein’s former suitor, Alfred. Eisenstein plans to leave that night to serve a short jail term, and Rosalinde induces Alfred to go away before her husband returns, with the promise that she will receive him later. Eisenstein appears, berating his incompetent lawyer, Dr. Blind, and finally throws him out. A friend of the Eisensteins, Dr. Falke, arrives and takes Eisenstein aside to invite him to Orlofsky’s party before going to prison. Husband and wife part, not unwillingly, and Rosalinde gives Adele the night off. Alfred returns and makes himself so completely at home that when Frank, the governor of the prison, comes to escort Eisenstein to jail, he naturally takes the lover for the husband; Alfred gallantly goes in his place.
ACT 2
The rich Orlofsky is enlightened by Dr. Falke, who explains to his host the farce he has arranged to amuse the jaded
young nobleman and to wreak personal revenge. (Three years ago, after a costume ball, Eisenstein had deserted the drunken Falke,
who was dressed as a bat, outside the city so that he had to walk home the next morning in costume.) Falke has invited the maid Adele
(to be introduced as “Olga,” an actress), Frank (as “Chevalier Chagrin”), Eisenstein (as “Marquis Renard”), and Rosalinde
(as a “masked Hungarian Countess”). When all the guests have arrived, momentary embarrassments only briefly ruffle the masqueraders’ composure, and the “Marquis” begins to flirt with the “Countess.” The “Countess” demonstrates her Hungarian heritage with an impressive Czardas, followed by the “Marquis’” attempt to win the “Countess” with his legendary watch prop.
This backfires on him as the “Countess” cleverly steals the watch and masterfully controls the scene.
All continue to party, but at the very moment when the spirit of champagne-driven brotherhood is at its climax,
the “Marquis” must leave for prison, and he goes, escorted by “Chagrin.”
ACT 3
The drunken jailer Frosch finds himself with two Eisensteins to ward. Adele comes to ask “Chagrin” for help in getting on the stage. By the time Rosalinde arrives to arrange the release of Alfred, her husband has disguised himself as Dr. Blind in order to
ascertain the identity of his alter ego and has learned more than he wished to hear. Rosalinde counters with proof of his own deceits; and in a spirit of mutual forgiveness, peace is made. Champagne was to blame for everything.
Cast of Characters
Gabriel von Eisenstein (tenor)……………………John Easterlin
A wealthy, somewhat foolish man sentenced to jail, who instead decides to attend a masked ball.
Rosalinda von Eisenstein (soprano)……………Nicole Woodward
Gabriel's charming wife, who discovers her husband's trickery and attends the ball in disguise as a Hungarian Countess.
Dr. Falke (bass-baritone)……………………John Robert Green
An intimate friend of Eisenstein known as Dr. Bat (Die Fledermaus), who orchestrates the elaborate
revenge plot to embarrass Eisenstein.
Adele (soprano)……………………Sara LeMesh
The Eisensteins clever maid, who steals a dress and attends the ball posing as an actress to flirt with
men, including her boss.
Orlofsky (mezzo-soprano)……………………Rachel Deatherage
A wealthy, bored Russian club owner hosting an extravagant, chaotic New York masquerade party.
Alfred (tenor)………………………Dylan Davis
A passionate singer and former lover of Rosalinda, who is mistakenly arrested while in disguise.
Frank (baritone)………………………Ian Bethmann
The prison warden who, unaware of his inmate's identity, parties at the ball under a pseudonym.
Dr. Blind (tenor)……………………….David Smolokoff
Eisenstein's stuttering, inept lawyer.
Sally (soprano)…………………………Alexandra Branton
Adele's sister, also a dancer.
Frosch (speaking role)……………………Aidan Babbitt
A lazy, drunken jailer.
The State Opera of New Jersey Chorus
(Friends, partygoers, servers)
Laura Isabella, Chorus Master
Chaka Allen
Kimberly Martinez
Alexandra Branton
Don Millner
Robert Coyne
Kim Elaine Neighbor
Misha Dutka
Natalie Pica
Katie Elliott
Mydhili Pillai*
Robin Ferenz*
Brianna Polite
Sophia Goldberg
Ariana Rodi
Brigitte Guariglia Cruz
Roger Romero
Laura Isabella
Daniel Rotshteyn
Logan Laudenslager
Jared Salwen
Leo Leuci
David Smolokoff
Lori Lopiparo
Cecelia Tepping
*Westrick Music Academy
Sid Morginstin – Supernumerary
Die Fledermaus 2026
The State Opera of New Jersey Orchestra
Joseph Pucciatti, Conductor
Violin I
Christopher Jones, Concertmaster
Eugenia Goldman
Dezheng Ping
Nelly Federova
Marco Lucchi
Teresa Nakra
Violin II
James Banks
Jo Ann Coccia
Francine Bloom
Ingrid Tang
Viola
Phillip N. Pugh
Marka Stepper
Ning Mu
Cello
Katrina Kormanski
Elina Lang
Patty Gonsky
Bass
Robert Peterson
Steven C. Kyle
Percussion
Randall Rudolph
Flute | Piccolo
Amy Wolfe
Flute
Katherine McClure
Oboe
Nicholas Gatto
Clarinet
Karl Krelove
Robert Huebner
Bassoon
Susanne Chen
Horn
Nancy Ciacciarelli
Craig Smith
Trumpet
Alex Schmauk
Brian Woodward
Trombone
Danny Hall
Tympani
William Priebe
Orchestral scores obtained from Educational Music Service
Special Thanks
Justin Arroyo
Alison Bolshoi
Carol Bucca
Michael Camp
Jeff Cantor
Farrah Chu, Esq
Maureen Cozzi
Carlotta Crosby
Amy Davis
Patricia DelSordo
Michael G. Donahue III, Esq.
Clare Fannon
Christopher Gilman
Morris Glover
Norman Goldschmidt
Jim Harwood
Laura Isabella
Jerrold & Joyce Kalstein
Johannes Lang
Susan Langkafel
Lew Maltby
Alan, Denise & Grace Meinster
Donald Millner
Jason Milstein
Sid Morginstin
Elizabeth Proctor
Peter Randsman
Fredrick Redd
J. Matthew Root
Dr. Gilda Rorro-Baldassari
Bill & Marilee Ryan
Jorge Garcia Salas
Susan Scott
Patricia Stanley
Delia Vayansky
Notes from the Director
Few works capture the sparkle, wit, and irresistible charm of operetta quite like Die Fledermaus. Premiered in 1874, this effervescent masterpiece by Johann Strauss II remains one of the most beloved operettas ever written—a celebration of music, mischief, and the delightful chaos that ensues when disguises, champagne, and human vanity collide. At its heart, Die Fledermaus is a story about masks—both the literal ones worn at Prince Orlofsky’s party and the metaphorical ones we all put on in society. Respectable citizens become flirtatious strangers, loyal spouses test the boundaries of fidelity, and revenge is served with a wink and a waltz. Beneath the glittering surface lies a playful but pointed reminder that our social identities can be surprisingly fragile. In bringing this production to life, our goal has been to honor the joyous spirit of Strauss’s music while leaning into the delicious absurdity of the story. Operetta thrives on timing, charm, and the chemistry between performers and audience. The fourth wall in Die Fledermaus is delightfully
thin; we are all, in a sense, guests at the party. So tonight, we invite you to suspend disbelief, embrace the masquerade, and allow yourself to be carried away by the waltz. In the end, Die Fledermaus reminds us that laughter, music, and a
little forgiveness can mend almost any social mishap—especially when accompanied by one more glass of champagne.
Welcome to the party. Cheers!– Alison Bolshoi
The Leading Role








International Tenor John Easterlin
John has established himself as one of international opera’s most exciting, diverse, and unparalleled performers.
A five time Grammy Award recipient, with four listings in the Guinness Book of World Records, his international opera credits include multiple productions with the Metropolitan Opera, New York City Opera, Opéra National de Paris, Wiener Staatsoper, Royal
Opera House Covent Garden, English National Opera, Teatro Real in Madrid, Gran Teatre del Liceu in Barcelona, Deutsche Oper Berlin, Bolshoi Theatre in Moscow, Canadian Opera Company in Toronto, New Israeli Opera in Tel Aviv, Beijing Opera in China, Teatro Colón in Buenos Aires, and the Sydney Opera House in Australia, in addition to the Lyric Opera of Chicago, San Francisco Opera, Los Angeles Opera, Seattle Opera, Washington National Opera, Opera Company of Philadelphia, Florida Grand Opera, Houston Grand Opera, and Dallas Opera. John created the role of Andy Warhol, in the world premiere tour of the Philip Glass opera The Perfect American, and Larry King, in the U.S. premiere of the Anthony Turnage opera Anna Nicole, for BAM's Next Wave Festival. A soloist with the Chicago Symphony, Philadelphia Orchestra, Los Angeles Philharmonic, Dayton Philharmonic, American Symphony Orchestra at Carnegie Hall, and the Orchestra of St. Luke's at both Radio City Music Hall and Madison Square Garden, his additional opera and concert appearances include the Glimmerglass, Ravinia, Spoleto, Salzburg, Saito Kinen, and Merida festivals. Recipient of the Emmy, Olivier, Gramophone, and Diapason D’Or L’Année awards, John has appeared in Broadway's three longest running musicals: Ubaldo Piangi in The Phantom of the Opera, Timon in The Lion King, and Mary Sunshine in Chicago. A Master Puppeteer and Certified Magician, (member of The Magic Circle and The Society of American Magicians), his television credits include Manifest, Severance, The Gilded Age, The Marvelous Mrs. Maisel, and Law and Order.
Cast – Links to Bios
(Rosalinda von Eisenstein)
(Dr. Falke)
(Adele)
(Orlofsky)
(Alfred)
(Frank)
(Dr. Blind)
(Sally)
(Frosch)
Production Team: Die Fledermaus 2026
Joseph Pucciatti Cofounder | Producer | Conductor
A Trenton-born pianist, teacher, conductor, and composer, Joseph cofounded Boheme Opera NJ with his wife Sandra in 1989 – this season renamed The State Opera of New Jersey. He is in his 37 th season at the artistic helm of the company. During his tenure, he has conducted multiple performances of 28 of the legendary works of the opera repertoire for the main stage. In 2007. Joseph made his directing debut with Verdi’s Rigoletto, which David Shengold of Opera News described as “an intriguing staging, providing some moments of real frisson”. In 2008, Joseph collaborated with former Artistic Director of American Repertory Ballet Graham Lustig in their critically acclaimed production of Leonard Bernstein’s West Side Story. In 2012, he directed and conducted the company’s debut of Mozart’s The Magic Flute, introducing HD technology to BONJ’s main stage via original artwork and animation created exclusively for the company by virtual master J. Matthew Root, who continues to imagine new virtual sets for the company. A lifetime educator, Joseph retired in July 2023 after completing 45 years as a career music teacher for the Trenton Board of Education. A staunch advocate of instrumental music in the public schools, he founded the Trenton Central High School Orchestra in 1995, which was nominated for an Educational Grammy in 2019. In 2021, Joseph was the Recipient of the Community Engagement Award presented by Princeton University and The Pace Center for Civic Engagement. In 2022, the Princeton University Department of Music established a new prize: the Joseph Pucciatti Prize for Community Engagement in the Arts. The prize is awarded annually to a graduating Princeton University senior whose love of community, artistic imagination and passion for mentorship – all qualities embodied by Joseph – have expanded access to the arts. In the 2023-2024 season, Joseph joined the Greater Princeton Youth Orchestra as its Concert Orchestra conductor, and the following season, became Artistic Director and Conductor of its Symphonic Orchestra.
Sandra Pucciatti Cofounder | Managing Director | Pianist
Philadelphia-born pianist and opera lecturer, Sandra Pucciatti has appeared as piano soloist, as duo-pianist, and as featured performer with orchestra, in chamber music ensembles and in master classes in the United States and Canada, highlights of which include New York’s American Landmark Festival, Manhattan’s Dalcroze School, the Torrance Performing Arts Center in California and the Ignatieff Theatre in Toronto. She produced and performed a national tour with the East-West Piano Duo, formed with her long-time colleague Sylvia Ho Lau. As a professional accompanist of both vocal and instrumental repertoire, Sandra has collaborated with some of opera’s most distinguished artists in recital, most notably the late legendary bass Jerome Hines. In 1989, together with her husband Joseph, she co-founded Boheme Opera NJ, now The State Opera of New Jersey. In her role as Managing Director since 1997, Sandra has established working collaborations with many of New York’s well-known artist management agencies, seeking out and discovering emerging artists of great potential to perform with the company. She is the creator and presenter of the company’s periodic curriculum based Inside Opera Program. A Summa Cum Laude graduate of both Temple University School of Music with Bachelor of Music and Trenton State College (now The College of New Jersey) with Master of Arts, she is a protégé of the late Karl Ulrich Schnabel. Sandra is the principal pianist for TSONJ’s active outreach programming.
Alison Bolshoi Assistant Artistic Director | Die Fledermaus Stage Director
Alison comes from a theater family and background and has a degree in Theater & Film with a concentration
in Directing and Shakespeare. She directed plays at Chautauqua, NY right out of college, as well as ran a playreading group at NYU and directed plays for Professors Emeritus Walter Miller and William Packard at NYU, many moons ago. Ms. Bolshoi then went into operaas a singer and is still a working singer today, having performed thrice as a soloist at Carnegie Hall with MidAmerica Productions, at Cesky-Krumlov Festival in Prague, at The Dallas Opera, The Liceu in Barcelona, and many more acclaimed houses, including Boheme Opera, where she has performed Amneris in AIDA, the Witch in HANSEL UND GRETEL, the title role of CARMEN, and Azucena in IL TROVATORE. Ms. Bolshoi is a recipient of numerous grants from The Wagner Society of NY and The American Wagner Society and is a winner of The Liederkranz Wagner Award and the Gerda Lissner Award. Through her work as Assistant Artistic Director of The State Opera of NJ, Ms. Bolshoi decided to revive her talents as a stage director and is thrilled to bring her gifts to our DIE FLEDERMAUS.
Delia Vayansky Production Manager
Delia works with Princeton University Triangle Club, as well as local theatre and opera
companies. She has been a core member of Boheme Opera NJ's production staff for over 20 years, joining it as Assistant Stage Manager, moving up to Principal Stage Manager and then becoming Production Manager in 2019. From 1990 to 2004, she was Assistant Production Manager at McCarter Theatre. She then joined Princeton University's Richardson Auditorium staff as Associate Director, and in 2007 was named Director of the facility. A skilled arts administrator, Delia is a graduate of Carnegie Mellon University. Her memories include a love for school and appreciation of all her teachers. Recalling her childhood education, she offers special thanks to Bill Berresford (4th-12th Grade Band),
Alene York (1st-12 th Grade Dance) and Chris Cummings, Rita Winrow and Jane Wilson for conspiring to get
her involved in theatre in the first place.
Milan Eldridge | Stage Manager
Milan is a stage manager, filmmaker and theater designer who is fascinated by the ways these different disciplines can interact, inform and influence each other. She is passionate about exploring real-world themes and events through attentive storytelling. Currently, she is the Assistant Stage Manager for the Program in Theater and the Program in Music Theater at Princeton University's Lewis Center for the Arts. Recent stage management credits include the
2024 Princeton Dance Festival (Assistant Stage Manager; Princeton University), Anonymous (Stage Manager; Princeton University), How to Eat an Orange (Stage Manager; La MaMa), From Wind to Wonder! (Stage Manager, Princeton University) and The Winter's Tale [Public Works musical adaptation] (Stage Manager; Princeton University).
This is Milan’s second full season with our company.
Matthew Lewandowski | Lighting Designer
Touring has taken Matthew throughout the Americas, the Far East, and Europe serving in various capacities for tours such as Cats, Crazy for You, Disney on Ice and as Director of Production and Lighting Designer/Director for the international dance company, Shen Wei Dance Arts. Design credits include work at Harlem’s Apollo Theater with the New York Hip-Hop Theatre Fest, New Year’s Eve at the Hammerstein Ballroom with Clap Your Hands Say Yeah,
various works with Dance CT/Hartford Ballet, The University of Hartford as well as Shen Wei’s Collective Measures, premiering at The American Dance Festival. In 2024 he was awarded the Lehigh Valley Press ABE Award for Best Lighting Design (The Last Five Years). Additional management credits include Music@Menlo, the New York Music Theatre
Festival, American Repertory Ballet, North Carolina Theatre, Philadelphia Theatre Company, Performance Garage and the TONY Award winning, Crossroads Theatre Company. Matthew holds an MBA (Fox School of Business, Temple University) and a Bachelor of Music from the Hartt School in Music Direction, Conducting, Accompaniment and Technology for Theatre. He is a proud native son of Philadelphia.
J. Matthew Root | Virtual Set Artist & Designer
Matt is an artist, designer, animator, illustrator and programmer, as well as a musician, writer and actor in his rare free moments. He has nearly twenty-five years of experience in both traditional and digital illustration and design for all media. His expertise also includes animation and video editing, and complete web design, from concept to computer screen: design, architecture and programming. Matt has been honored with a number of awards for his
creativity and ability to give physical life to his imagination. He earned his Bachelor of Fine Arts,
Cum Laude, from the Maryland Institute College of Art. He has been an extraordinary asset to
Boheme Opera NJ, and now The State Opera of New Jersey, on virtual formats and the application of new branding concepts. Matt has designed The Magic Flute, Faust, La Traviata, La Boheme, Carmen, Lucia di Lammermoor, Cavalleria Rusticana, I Pagliacci, Aida, Rigoletto, Hansel and Gretel and Il Trovatore. This is his virtual debut for Die Fledermaus.
Jason Milstein | Technical & Sound Designer
Jason Milstein is a film producer, sound editor and postproduction supervisor. His first collaboration with Boheme Opera NJ was in 2012 for The Magic Flute. Jason has since returned for productions of Faust (2013), La Traviata (2014), La Boheme (2015), Carmen (2016), The Barber of Seville (2017), Lucia di Lammermoor (2017), the double bill of Cavalleria Rusticana
(2018) and Pagliacci (2018), Aida (2019), Rigoletto (2022), Hansel and Gretel (2022),
MadamaButterfly (2023), Carmen (2024) and Il Trovatore (2025).
.
Anthony Wurtz | Costume Designer
Anthony Wurtz has been costuming for over eleven years in PA and NJ and has worked on many community and semiprofessional productions at Kelsey Theatre, Barnstormers, and Clocks and Daggers, along with high schools and operas. He has been nominated at the Perry Awards for his past productions of Boy from Oz, Around the World in 80 Day, and Beauty and the Beast for which he won a Kelsey Award for Best Costumes. His years doing costumes have
set his style aside from others. Outside of costumes, he has done wigs and makeup for productions and many horror locations. He would like to thank his better half Brian and his family and friends for all their love and support.
Patricia DelSordo | Wig, Hair, & Makeup Designer
Patricia has been Boheme Opera NJ's (now The State Opera of New Jersey’s) Wig, Hair, and Makeup Designer for over 25 years, lending her outstanding design talents to operas including Tosca, Lucia di Lammermoor, La Boheme, La Traviata, Carmen, Hansel and Gretel, Amahl and the Night Visitors, Madama Butterfly, the company's 2025 new production of
Il Trovatore, and many more. Among her other notable work was her opera design of Susannah with Palm Beach
Opera. For 15 years, she was the designer at North Carolina Theater for Miss Saigon, Lou Diamond Phillips, Les Miserable, Cats, Phantom of the Opera, Grease, Hairspray, Legally Blonde, Dream Girls, Into the Woods, Little Mermaid and more. Additionally, she designed for five years at Casa Manana Theater in Fort Worth, Texas for Sweeney Todd with Norm Lewis,
Annie with Andrea McArdle as Miss Hannigan, and Driving Miss Daisy with Sandi Duncan. Patricia has been affiliated with Barton College in North Carolina and for five years at Fort Worth Country Day School.
“It's a privilege to do what I do. Thank you Joe and Sandy for your trust.”
Jeff Cantor | Associate Production Manager | Carpenter
Jeff has been building and designing theater sets for nearly two decades, mostly as Master Carpenter for Maurer Productions OnStage (MPO) at Kelsey Theater as well as the West Windsor Plainsboro High School South (WWPHSS) Drama Program. Notable sets include Noises Off | 2019 Perry Award for Set Design, Around the World in 80 Days | 2016 Perry Award for Outstanding Production of a Play, and Aida | 2012 Perry Award for Outstanding Production of a Musical. Other favorites were making it rain on stage for MPO's production of 'Singing in the Rain', multiple productions of Brighton Beach Memories for both MPO and WWPHSS, as well as Sunday in the Park with George for Pinn Worth Productions at Kelsey Theater. In recent seasons, Jeff had the honor of joining the Boheme Opera NJ team,
now The State Opera of New Jersey and bringing physical sets into being to augment the company’s wonderful virtual sets. Many thanks to Joe and Sandy Pucciatti for these new opportunities and the wonderful fellowship.
Laura Isabella | Chorus Master
Laura Isabella is thrilled to return as chorus master for The State Opera of New Jersey’s Die Fledermaus. Ms. Isabella has worked all over the Tri-State area with Opera on Tap, Garden State Singers, Operallora, CoOPERAtive, to name a few. In addition to performing, Ms. Isabella is a passionate voice and piano teacher. Ms. Isabella also runs Redivivus Opera, a small grassroots opera company. She relishes any opportunity to support her fellow singers, both on
and off stage, and connect with her community at large. Ms. Isabella holds a Master of Music in
Vocal Performance and Pedagogy with distinction from Westminster Choir College and a Bachelor of Music in Vocal Performance from Nazareth University. She also holds a Certificate of Leadership from the
Eastman Leadership Academy at the Eastman School of Music.
Xiyu Deng | Principal Rehearsal Pianist
Dr. Xiyu Deng received her Doctor of Musical Arts Degree from Manhattan School of Music. She began studying the piano at the age of five. She has performed as a soloist throughout Europe, Asia, Australia and the United States at the internationally notable concert halls such as Carnegie's Zankel Hall, Merkin Concert Hall at Kaufman Music Center in New York City, New England Conservatory's Jordan Hall in Boston, and Forbidden City Concert Hall in Beijing.
She was awarded top prizes at the BNP Paribas, Rising Star; Piano Festival in 2013, New England Conservatory Honors Competition in 2016 and the second prize in Open Class at the 17th Hong Kong | Asia Piano Open Competition in 2012.
She pursued her Bachelor of Music degree at the Central Conservatory of Music as a student of Dr. Bo Tong,
and Master of Music degree with Dr. Gabriel Chodos at the New England Conservatory. This is Xiyu’s second season with our company, now The State Opera of New Jersey.
Sid Morginstin | Supernumerary
Sid Morginstin is our perennial supernumerary. He has appeared with the chorus – mouthing words and NOT singing – many productions. Sid is the company’s Recording Secretary and handles various tasks as needed. Sid is a stamp collector and a dealer. He also works for Six Flag Great Adventure (sorry, no free passes). He and his wife,
Helene Reiss are now celebrating their fifth anniversary.
The State Opera of New Jersey
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Lola
The State Opera of New Jersey
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"Lola is excited to make her debut on the main stage performance of Fledermaus with The
State Opera of NJ. Lola, a four pound 2.5 year old toy yorkie-poo, was the runt of the litter. In
addition to launching her acting career, Lola is also a professional happiness creator,
generating smiles with her enthusiasm and never-ending dog kisses. From birth, she has
declared that her mission in life is to spread unconditional love to humans and all
beings. Her owner, an opera singer, carries Lola in her handbag everywhere to execute this
mission. Lola enjoys bits of steak and walks to downtown Princeton."
